Christopher High Shearer (1846-1926), a prolific landscape artist of national reputation, was raised on the family farm in Shearertown, located in Tuckerton, Berks County, Pa., where his father built him his first studio.
During his youth he spent time in the studios of well-known artists Francis D. Devlan and J. Heyl Raser, and later became a student of both before opening his own studio in Reading at the age of twenty-one. When about 27 years old, being well on his way to success, he traveled to Germany to further pursue his studies in the great schools of art in Dusseldorf and Munich.
In 1876, Christopher began exhibiting at the Pennsylvania Academy of the Fine Arts in Philadelphia, and also at the art exhibition celebrating the United States Centennial. During that time he attracted great public attention and won the favorable opinion of art critics for his large landscapes.
In 1878 he went back to Europe and spent four years there, two in Germany and the remainder in Paris. When returning home, he and his second wife, lived in a home along the Schuylkill River, off Stoudt’s Ferry Bridge Road (close to Shearertown) where Christopher maintained an art studio and held outdoor art classes for his many students.
During this time, another well-known Berks County artist, Mary Leisz, studied with Shearer and became his closest protégé, moving into the Shearer Homestead to share studio space in 1914.
Shearer was also an acknowledged naturalist with a large collection of butterflies and moths. He was instrumental in helping to found the Reading Public Museum along with his friend, Dr. Levi Mengel, persuading Mengel to include works of art. It then became known as the Reading Public Museum and Art Gallery where Shearer was appointed the art curator.
Much of the work of Christopher High Shearer, his brother Edmund Shearer, and that of Christopher’s son Victor, is displayed prominently in many private homes, museums, etc. throughout Berks County.
Mary B. Leisz was born in Reading in 1876. Leisz began lessons with Christopher H. Shearer at the age of fifteen. Mary mastered both oil and watercolor painting and eventually developed her own distinct style, separate from her teacher.
She often painted near Tuckertown and Onteluanee in Berks, capturing flowing streams, gristmills, springhouses, and colorful foliage in her landscapes. Mary’s work also includes watercolor portraits, which focus on young women and children. Mary became one of Christopher’s closest “proteges” and eventually taught art classes with him in his home studio.
Written by M. Catherine Shearer